watercolour

August 2025

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Here’s what we’ll be up to in August, but as usual you can draw or paint anything you want to.

Wednesday 13th – 7-9pm – Paint on a Postcard

It’s now the summer holidays when many of us go away then send a postcard home of where we are visiting. Picture postcards were first sent in Germany in the 1880s but the UK used postcards just to write on until in the early 1900s black and white photographs were printed on one side of a postcard, with the writing and the address on the other.

Whilst sorting through her late mum’s items, Susan came across some postcards of Mount Fuji which have been painted in rich colours. Aren’t they beautiful?

What a great idea for a session. Lots of old black and white postcards of UK scenes have been bought from eBay, with the idea that we paint on them and give them a new, colourful, lease of life. Acrylic paints used thickly work best, though you can use them thinly and still see the photo below. Coloured inks work and coloured pencils, though don’t press too hard or you’ll dent the surface. Watercolour doesn’t work on the shiny postcards but might on the rougher-surfaced postcards and Posca pens don’t work well either, unless you want really bright colours. Gouache and pen markers might work but haven’t been tried yet.

Use colours that would be in the scene or use different colours for a more mysterious or abstract effect. A few postcard have already been lightly tinted and the subtle effect is very pleasing.

Some of the postcards have been used and still have stamps on from the 1920s, 30s and 40s, with words saying having a lovely time, the weather has been good, or it’s been raining. No different to what we write nowadays!

Here’s an article found by Susan about the Japanese postcards. It’s an interesting read…

Say, “Hello, Japan!”

Saturday 23rd FROM 10am-3pm – Rochester Cathedral’s private gardens

We will be meeting in the King’s Orchard, the private gardens behind Rochester Cathedral, for this month’s outdoor session. We first visited these gardens three years ago and Kay has kindly gained permission for us to sit and enjoy the gardens again whilst either drawing and painting the view or painting our own ideas. 

There are a couple of benches but not enough for everyone so you’ll need to bring a folding chair to sit on and your own water to rinse your brushes in. Bring lunch too, but hopefully the cafe in the crypt will be open on the day if you fancy eating there. Travel light with your art equipment, don’t bring everything or you’ll be stuck with a heavy bag on the day. If you use acrylics be aware there will be nowhere to rinse equipment, so bring a carrier bag to take home your unwashed palette and paintbrushes. Watercolours, pastels, coloured pencils, sketching pencils or ink pens would be a better choice.

The toilets are a few minutes walk away round and through the Cathedral and into the garth (gardens) where they’re on the far side.

Please email Tracy asap if you would like to attend or not, as we need to know names for the lanyards that must be worn at all times.

Further details about dropping off your art equipment and parking information will be sent by email nearer the time.

In the garth at the mo is mini golf… https://www.rochestercathedral.org/new-events/2025adventure-golf and in the nave is a fully restored Short Scion Floatplane… https://www.rochestercathedral.org/floatplane

Start praying for good weather, but if it rains we will still meet but inside. If this happens we can’t use any water, so bring pens, pencils etc as ‘dry’ mediums to use.

The Cathedral are not charging us to use the gardens so we will be having a collection on the day.

Art Nouveau – February 2025 – Saturday

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We had very busy session on Saturday with 26 artists attending including 5 new members. Welcome to Vikki, Chris T, Julia, Sandra and Nick. We hope you liked drawing and painting with us and we enjoyed meeting you!

The suggested subject was Art Nouveau and it proved to be a popular theme with many pictures drawn and painted during the day in pencils, pastels, acrylics and watercolours. Sinuous, natural shapes adorn the pictures. Two paintings had silver and gold metallic watercolour paint on them so they’ve also been photographed at an angle to show off the shiny paint. Some artworks are finished, some are works in progress.

Some artists drew and painted to their own subjects in different mediums.

Well done everyone for your enthusiasm on Saturday, it was fantastic to have such an interesting and creative session!

Next month’s subjects will be posted on Saturday 1st March and the next session will be on Wednesday 12th March from 7-9pm.

Fauvism – February 2025 – Wednesday

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This session’s subject on Fauvism was well attended with 13 artists and most painted like Les Fauves, the Wild Beasts, using bright colours and bold strokes.

Using original artworks or other paintings or photographs as inspiration, the mediums used were acrylic paints, watercolours, acrylic pens and felt tip pens. Some paintings are finished and others are works in progress and will be completed at home.

Some members came along and created pictures to their own subjects and there’s one coloured pencil drawing inspired by the last Saturday session on winter.

Lovely work everyone, well done for being so bold and colourful with your paints and pens!

The next session is on Saturday 22nd February from 10am to 3pm and the suggested subject is Art Nouveau.

Finished horse pictures

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The subject of George Stubbs and his horse paintings was popular last month and several pictures were started. Four have now been finished…

Mary found an adorable photo of a huge shire horse and donkey foal in a newspaper, drew it carefully and painted it in watercolours.

Angela used pastels for her horse picture, using rich browns and tan colours for her bold horse head portrait.

Janet W printed words about Stubbs on to Bockingford watercolour printer paper and painted a picture of Whistlejacket over the top in watercolour. She used the watercolours quite dryly so the words didn’t smudge. The painting is already framed as has just been exhibited in a Gravesend Art Group exhibition in the St.George’s Art Centre.

Tracy chose the Triumphal Quadriga as her subject, otherwise known as the Horses of Saint Mark, in St.Mark’s Basilica in Venice. Believed to have been sculpted in the 2nd or 3rd century CE in Rome or possibly the 5th or 4th century BCE in Greece, they were displayed for centuries at the Hippodrome of Constantinople until the sack and looting of the city by Venetian forces in 1204 during the Fourth Crusade. The four horses were then mounted above the entrance of the basilica in Venice until they were looted by Napoleon in 1797 and taken to Paris, but were returned to Venice in 1815. Copies of the four horses are now outside St. Mark’s Basilica whilst the originals are displayed inside under spotlights which highlight the original mercury gilding that remains.

Tracy started with brown paper and used black, white, yellow, orange and brown coloured pencils to create her picture of the horses.

Well done everyone! It’s always interesting to see finished pictures which were started at previous sessions.

The next session is at the hall on Saturday 28th September from 10am to 3pm.

Finished pictures

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We have so many different subjects in our sessions that we often start pictures but don’t get around to finishing them.

Here are several pictures that were finished at home from sessions on Frida Kahlo, painting on a book page, Underwater Life, In an English Country Garden, and Chalk Church.

Brenda’s colourful picture of Frida Kahlo is in pastels as are her images of the dragon and the parrot on a dictionary page. The cockerel is painted in watercolours.

Steve’s posterised image of Frida Kahlo was painted in acrylics and the other in black pastel on grey pastel paper with a dramatic pop of lip colour in pink. Chalk Church was created when we visited last month, again in pastel but using many colours for a realistic picture.

Tracy’s images of Frida Kahlo were painted in watercolours, as were the underwater eagle spotted rays. The cottage garden at Sissinghurst is in coloured pencils, lightly pressed on to the paper so the finished effect is delicate.

Well done, it’s great to see all your finished pictures!

Frida Kahlo – July 2024 – Wednesday

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Just 7 members attended the session yesterday evening, with several members away on holiday or others watching England in the Euro football semi finals. We had a good natter and enjoyed creating our pictures to do with the life of artist Frida Kahlo.

Several portraits by Brenda, Steve and Tracy, a flower study of similar blooms Frida wore by Myrna and a picture by Angela of the Casa Azul (the Blue House) Frida’s family home were started and will hopefully be finished at home. Chris couldn’t attend the session but completed a portrait at home, sending a photo for inclusion. If you do draw or paint the suggested subject at home, please send a photo to Tracy or Steve and they’ll be happy to add to it the relevant post.

Here are our pictures, including a photo of Tracy wearing a t-shirt and holding a bag and tin all with Frida Kahlo’s image on.

Patrick drew a picture of the Frog Princess.

Two more dictionary pages have been finished and they will be shown in the next post.

Our next session is at Chalk Church on Saturday 27th July from after 10am to just before 3pm

Graham’s dictionary page experiment

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Graham chose several pages from the dictionary to paint on, but before he starts he tried painting on a spare dictionary page to experiment with how much water to use with watercolour and gouache paints and he tried using a pen too. His process is really interesting and is useful to everyone who has painted a dictionary page or who wants to paint one, especially his technique of mounting the page on scrap board to start with. The dictionary will be brought to future sessions in case anyone wants to paint more pages.

In Graham’s own words and photographs…

“I was determined to test the Dictionary Page paper to see how much abuse it would take.  Firstly, I mounted it on some scrap board. This gave it rigidity. Then I drew on it, deliberately doing a fair bit of rubbing out and re-drawing.

For the background watercolour wash I adopted my usual procedure of wetting the paper, then putting in very faint wet washes, and as the paper dried, ever stronger and less wet washes.  The paper stood up to this exceedingly well. It might be interesting to see how the page reacts when fixed to watercolour paper.

When this was all dry, I tried painting the rear figure with equally wet into wet washes. This failed abysmally.  All the washes bled beyond where I had applied them, and they did not mix well.  When dry, to try to redefine the edges of the figure, I applied some white gouache tinted with the background colours.  

For the man with the umbrella I tried applying the watercolour with a 50/50 mix of water and gum arabic.  This thickened the paint and stopped it bleeding but left it looking very streaky and unsightly.

For the man on the bicycle I mixed all the colours in the palette and applied them with a fairly dry brush, often taking most of the wet paint out of the brush with a tissue.

Once all the paint was dry I applied fresh colour to several of the washes on the other two figures.  These were similarly applied fairly dry paint.  The paler colours were again mixed with gouache so that under washes would be covered.

Finally, I did some ink drawing .. I’m not sure how successful that was.

This was all very experimental.  Glueing the paper down was certainly a good idea for me, and I will continue to do so when using a wet medium.  I was surprised how well the paper stood up to the original wet washes and to the number of layers of paint I could apply to the figures.  I used watercolour throughout. 

The lesson I learned was to apply it in a “dry brush” fashion.  Although I suspect Gouache and acrylic paints may well work better on this sort of paper I shall continue to experiment using watercolour.

Happy Experimenting and Painting 

Graham”

Thank you very much, Graham. To read your process from start to finish was very helpful and having the photos too made each stage easy to follow. Many of us have found that a dryer application of paint is the way forward and once one page is painted we want to paint several more!

Paint on a book page – June 2024- Wednesday

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It was a quiet session with only eight members but what we lacked in numbers we made up for in creativity. Painting on a book page proved to be very satisfying with members painting on different types of paper, much thinner than our usual watercolour paper so we had to paint carefully. For those who didn’t bring their own paper there was a choice of books to choose from including a phone book, an RAC guide book, a couple of tatty old novels and a dictionary from eBay costing the huge sum of £1.79 including postage. No new or precious books were harmed during the session!

Removed from the dictionary were pages including the words married, wedding, sunflower and quokka. Words requested to paint another time include hare, lobster, crab, octopus and vulpine, so hopefully these pages can be shown when they’re finished.

Susan suggested this subject and we all agreed it was really interesting. She used a book about opera that had belonged to her late father. Watercolour was used to paint images from an opera on the page where that opera was listed and the paper absorbed the watercolours very well. A very clever idea, Susan.

Christine used an old map to paint a picture of Truro Cathedral on. The third photo shows the painting of Truro Cathedral in acrylics, just above the city’s name. An excellent way to use an old map as many of us have old maps just hanging around that we don’t look at any more.

Kay used the dictionary pages with the words marriage and wedding on to paint pictures of a bride and groom. They will be framed and given as a gift at a wedding she is attending later in the year. What a great idea for a unique present.

Wendy chose the dictionary page with the word sunflower on it and painted a bright and colourful sunflower in acrylics. The page accepted the acrylic paint really well.

Years ago Patrick typed a page about Zoroaster, the ancient Persian prophet. Instead of staying in a file the page has been used to paint an image of Zoroaster. In coloured pencil and pen the page has been repurposed.

Tracy chose the dictionary page with the work quokka on it. Look closely at the first photo for the definition of a quokka. She drew the animal in pencil and painted it in watercolours. Although the dictionary page is very thin, it accepted the watercolour paint well and the colours will be built up layer by layer, allowing drying time in between. There are other dictionary pages Tracy wants to paint but she may paint those in acrylics.

Angela gets a gold star for painting her two pages whilst on holiday in Devon. She had a National Trust magazine with her so used two pages to paint on. One she painted yesterday whilst chilling in the garden, the second today whilst 40mph winds blew outside. Typical British holiday weather! The first picture of a rose ties in nicely with our next session of ‘In an English Country Garden’.

Two members painted to their own theme. Denise repainted a friend’s garden plaque and Peta continued with her painting of a tram.

Well done everyone, there were some super ideas here.

The old books will be brought in to the next session, so if you missed painting on a book page you can cut out some pages to use. If there’s a particular word on the dictionary you want then email Tracy with that word and she’ll reserve the relevant page for you.

The next session is on Saturday 22nd June from 10am to 3pm.